Upload raw footage, or ads you have already run. raw2ads automatically cuts them into reusable hooks, bodies and CTAs, tags each clip, and lets you assemble new testable ads without touching a timeline.
How many come out is decided by your library, not by us: keep one more hook and the batch grows on its own.
Creative moves CAC now, not targeting. So you need volume: fresh hooks, new angles, enough variations to feed every ad set before it fatigues. Then reality hits the edit bay.
Cutting fifty new versions of a hook in Premiere or CapCut takes days, and by then the ad set has already fatigued. Hand it to an agency and it's thousands a month for a dozen videos, half of which never beat the control. The idea was never the problem. The production is.
Six phone videos came back cut into 28 short clips, each one labelled with the lane it can play and what it does inside an ad. You keep the good ones and throw the rest away.
Each clip gets a role (hook, body, CTA) and one or more descriptive tags.
An ad is one hook, any number of bodies and one CTA. Pick the clips from your library and the ad is assembled: no tracks to align, no keyframes, no render settings.
Swap only the hook and freeze everything else: same body, same cut, same CTA. Six clean tests, and the file name already says what's inside, so your Meta report reads itself.
Real screens from a live account: a tanning cream, six videos shot on a phone, and the ads that came out of them. Nothing here is a mockup.
Auto-cut, then the role, then the tags. Six phone videos became 28 clips here, six of them usable as a hook.
One hook, any number of bodies, one CTA. Drop the clips into the lanes, write the voice-over or leave it empty, and press Create video.
Tick the hooks and you get one ad per hook, same body and same CTA underneath: the single-variable test, set up by ticking boxes.
The piece that won stays put, and everything else moves around it. That's why a library beats a video: the second batch costs a few clicks.
AI generators create more footage. raw2ads turns the footage you already own into reusable ad components and new tests.
“We paid an agency $4,000 a month for around fifteen videos, and half never beat the control. Now I produce twenty-five variants from a single hook before lunch, all from footage we already had.”
“I tried the AI avatar tools. They look fine until the product needs a real close-up, and that's when people notice. These are my clips, so it simply looks like an ad.”
“I can't use Premiere and I stopped pretending I'll learn it. This is the first tool that lets me publish ads without an editor and they don't look templated.”
$49 a month. This month, 30 seats at $29: in exchange, after two weeks you get five questions and you tell us what does not work. Two minutes, and the answers help decide what gets built into raw2ads.
The price you lock today stays yours while you keep the subscription. Annual: $290/year, two months free.
Try it on the clips you already have. If it doesn't hand you ads you can upload, email hello@raw2ads.com within 14 days and you get the full amount back. No conditions on how much you used it, no form to fill. Cancel anytime, in one click.