Three raw videos in, eighteen ads out by tonight. raw2ads recombines the footage you already have, then reads your Meta report and tells you which hook paid. No editor. No Premiere. No fake AI avatars.
You don't have a creativity problem.
You have a throughput problem.
Creative moves CAC now, not targeting. So you need volume: fresh hooks, new angles, enough variations to feed every ad set before it fatigues. Then reality hits the edit bay. Cutting fifty new versions of a hook in Premiere or CapCut takes days, and by then the ad set has already fatigued. Hand it to an agency and it's thousands a month for a dozen videos, half of which never beat the control. The idea was never the problem. The production is.
The AI splits your long takes into tagged clips. You keep the best, compose the Hook × Body × CTA matrix, and export ads whose filenames your reports can read by themselves. Nothing generated. All footage you shot.
3.0s
6.0s
5.0s
4.4s
4.0s✕discarded
2.0sMost tools "solved" throughput by having AI generate the video: a synthetic avatar, stock B-roll, a fake creator holding your product. There's a catch your audience already feels.
The second an ad feels too polished, too perfect, too uncanny, it stops converting. And the moment the product needs a real close-up, the cracks show.
"Once the product needs real interaction or specific details, the cracks show fast." Real media buyer.
You already shot the real thing: product clips, UGC, screen recordings, demos. raw2ads is the layer that turns that footage into ads, using a structure media buyers already trust.
These are real screens from a live account: a tanning cream, six videos shot on a phone, and the ads that came out of them. Nothing here is a mockup; only the clip names were translated from Italian.
Spy tools show you the ad that's winning and stop there. Avatar generators hand you a video and never ask how it went. raw2ads is the one that closes the circle: take the shape, fill it with your footage, move one variable, then read which piece actually paid.
The AI watches it beat by beat and writes down what happens at second 0, at second 3, at second 9: which lane, how long, what it's doing there. What lands in your account is the shape, saved next to your own structures. Their skeleton, none of their footage.
problem_first_3scloseup_demobefore_afteroffer_swipeEach beat asks for a lane and a duration, and your tagged library already has clips that fit. raw2ads pairs them and generates every combination that works, not one ad at a time. It's the Compose from template box at the top of the composer: pick a structure, press Propose. Six ready-made recipes do the same when you have no competitor ad to start from. You review, you don't assemble.
You pick the hooks to test and, if you want, the markets. Everything downstream stays byte-identical, so when one wins you know what won. Adding a language is a row, not a project: the voice-over and the captions are rewritten, the edit is not. A clean test, in every market you sell in.
Export the ad-level report from Ads Manager, paste it in the box. It recognises your ads by the name it gave them, the one the Name for Meta button copied for you, adds up every video a hook appears in, and ranks hooks, bodies and CTAs by cost per result. Thirty videos stop being thirty results and become three answers. The part everyone else leaves to your spreadsheet.
Every feature does one job: turn footage you own into more tests, faster.
raw2ads didn't start as a demo. It's the composer an agency built to stop drowning in edit requests and start shipping variations at the speed testing actually needs. Now it's yours.
Do I need to know how to edit?
No. If you can drag a clip into a lane, you can build the ad. The templates and AI do the assembly.
Will my ads look like generic AI slop?
They can't. They're built from your real footage, not a synthetic avatar or the same stock clips everyone else uses.
Is my footage safe?
Yes. Every project lives in your own private workspace. Your clips stay yours.
How fast, really?
Minutes from clips to a finished ad. A full batch of variations in the time one agency round of feedback used to take.
$49 a month. This month, 30 seats at $29: in exchange, after two weeks you get five questions and you tell us what does not work. Two minutes, and the answers help decide what gets built into raw2ads.
Try it on the clips you already have. If it doesn't hand you ads you can upload, email hello@raw2ads.com within 14 days and you get the full amount back. No conditions on how much you used it, no form to fill. Cancel anytime, in one click.
Take a seat and build your first ads. Keep the footage you already have. raw2ads turns it into the variations you'd otherwise spend a week and a few thousand dollars to get.
Stop letting the edit bay decide how fast you can test.